Dumbug

“…in different cultures, chalice drum, tarabuka, darbuka, debuka, doumbek…” 

Forat Fadil

The goblet drum family has many names in different cultures, chalice drum, tarabuka, darbuka, debuka, doumbek, dumbec, dumbug, dumbelek, toumperleki, or tablah. It is a goblet-shaped hand drum used mostly in Arabic, Assyrian, Persian, Balkan, Greek, Armenian, Azeri, and Turkish music. Its thin, responsive drumhead and resonance help it produce a distinctively crisp sound. Though it is not known exactly when it was made it is known to be ancient in origin. They are played with a much lighter touch and quite different strokes (sometimes including rolls or quick rhythms articulated with the fingertips) than hand drums such as the djembe, found in Africa.

There are two main types of goblet drums. The Egyptian style has rounded edges around the head, whereas the Turkish style exposes the edge of the head. The exposed edge allows closer access to the head so finger-snapping techniques can be done, but the hard edge discourages the rapid rolls possible with the Egyptian style.

The goblet drum may be played while held under one arm (usually the non-dominant arm) or by placing it sideways upon the lap (with the head towards the player’s knees) while seated. Some drums are also made with strap mounts so the drum may be slung over the shoulder, to facilitate playing while standing or dancing. It produces a resonant, low-sustain sound while played lightly with the fingertips and palm. Some players move their fists in and out of the bell to alter the tone. There are a variety of rhythms that form the basis of the folkloric and modern music and dance styles of the Middle East.

There are two main sounds produced by the goblet drum. The first is called the ‘doum’. It is the deeper bass sound produced by striking the head near the center with the length of the fingers and palm. The second is called the ‘tek’ and is the higher-pitched sound produced by hitting near the edge of the head with the fingertips. A ‘tek’ struck with the secondary hand is also known as a ‘ka’. Additionally, there are more complex techniques including snaps, slaps pops, and rolls that are used to ornament the basic rhythm. Hand clapping and hitting the sides of the drum can be used in addition to drumhead sounds.

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